Selected Works

Essay
"An Intimate Geography"
Intimate encounters with landscape. Appears in the Summer 2010 Portland magazine.
"Madre de Dios"
Portland (Winter 2008).
Selected to appear in Best American Essays 2009.
"A Scary Abundance of Water"
Memoir of Lopez's childhood in California's San Fernando Valley. Nominated for a Pulitzer Prize in feature writing, 2002. (LA Weekly, January 11-17, 2002)
Fiction
Resistance
Nine interrelated stories. H.L. Davis Award for Short Fiction 2005 (Knopf 2004, Vintage 2005)
Light Action in the Caribbean
Thirteen stories, including "Stolen Horses," "The Letters of Heaven," and "The Mappist." (Knopf 2000, Vintage 2001)
Giving Birth to Thunder
Retold tales of Coyote as trickster and sage, from the traditions of Native America. (Andrews and McMeel 1978, Avon 1981)
Nonfiction
Home Ground: Language for an American Landscape, edited by Barry Lopez and Debra Gwartney
With an Introduction by Barry Lopez (Trinity University Press 2006)
Of Wolves and Men
25th Anniversary Edition with a new Afterword by BL. Photographs and marginalia throughout. (Scribner 2004)
Interviews by BL
"The Leadership Imperative: An Interview with Oren Lyons by Barry Lopez"
BL talks with Oren Lyons, Orion (January/February 2007), Manoa (August 2008), and Resurgence (September/October 2008).
Interviews of BL
Interviews of BL
Michigan Quarterly Review (Fall 2005), Northwest Review (Spring 2006), Georgia Review (Spring 2006), and in No Bottom: In Conversation with Barry Lopez (2008)
Fiction/Nonfiction
Vintage Lopez
This collection includes five essays and an excerpt from Arctic Dreams in addition to six short stories. (Vintage 2004)

News/Photos


My family moved from Mamaroneck, New York, to Reseda, California, north and west of Los Angeles in the San Fernando Valley, in 1948. This photo was taken somewhere in the valley, probably in 1949. I was four, and that’s my mother third from the right (or left). She was a dressmaker and also taught home economics at the valley’s first and only junior high school, in the city of San Fernando. She made the white shirt I’m wearing.


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In May 1987 I was traveling with six other people across southern Africa. Here, on the Boro River in northern Botswana, we encountered a wounded male hippo. Hippos are very territorial, and this one was very agitated. There being little chance that he would move on, we had to devise a plan to get our mokoro (a mokoro is a narrow, shallow-draft, dugout canoe) around him. Our plan was, first, to have I and my tentmate Ben (in the red shorts) keep the hippo distracted on the cutbank side of the river by slashing at the water with ngashis (an ngashi is a slender, wooden boat pole). Once we got the hippo on that side of the river, the others could pull the mokoros out on the point bar side of the river—where there was no high bank to have to deal with—drag them downriver, relaunch, and pick up Ben and me.

The scene here looks more dangerous than it actually was. The hippo was unlikely to move away from the water, where it felt safe; to get to the top of the cutbank, the hippo, with its short legs, would need the time to make two strides; and Ben and I had a lot of unobstructed country behind us to retreat into. The chance the hippo would pursue us away from the river was virtually nil. At the moment the photo was taken, the hippo, until then standing on the bottom of the river and invisible to us through the muddy water, had just burst through the surface but, for the second time, broken off his charge.

We got around him and a while later arrived at a village where we learned that this hippo had been wounded earlier in the day by another hippo and that it had attacked another mokoro just a few minutes before we arrived at this spot. That boatman had been severely injured and had to be medevaced to a hospital in Maun.

Hippos kill more people in Africa each year than any other animal.

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On November 9, 2008, BL received the C.E.S. Wood Distinguished Writer Award at the 22nd Annual Oregon Book Awards in Portland, Oregon. The C.E.S. Wood Award is given to an “Oregon author in recognition of an enduring, substantial literary career.” Previous winners have included Ken Kesey and Ursula Le Guin.

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On October 29, 2008, BL addressed the recipients of the Whiting Foundation awards to emerging writers at the Pierpont Morgan Library in New York. His talk is available on the blog of the National Book Critics Circle.

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Left to right, Juanita Pahdopony, Comanche tribal chairman Wallace Coffey, BL, Kim Winkleman, President of Comanche Nation College, and Vice-Provost James Brink and President Jon Whitmore of Texas Tech University.

On September 9, 2007, BL and others from Texas Tech University made a formal offer of reconciliation between the University, which stands on former Comanche ground, and the Comanche Nation. The ceremony, which took place at Comanche Nation tribal headquarters at Lawton, Oklahoma marked the culmination of many months of preparation. Story and photos below.

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Barry Lopez is a corresponding editor with Manoa, a book-length literary journal published twice a year by the University of Hawai'i Press and edited by Frank Stewart. A recent issue, Where the Rivers Meet: New Writing from Australia, was guest edited by Australians Larissa Behrendt, a novelist, lawyer, and member of the Eualayai and Kammillaroi nations of northwest New South Wales, and Mark Tredinnick, a poet, essayist, and writing teacher living in Sydney, and by BL and Frank Stewart. The 184-page issue of essays, fiction, and poetry features photographs by Aboriginal photographer Ricky Maynard. In 2008, Stewart and BL edited two issues of Manoa devoted to the theme of reconciliation, Maps of Reconciliation and Gates of Reconciliation. These issues featured the work of writers from Asia, Europe, Africa, Australia, and the Americas.
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Author Mike Newell recently published No Bottom: In Conversation with Barry Lopez (XOXOX Press, 2008), a book about BL's fiction. The 152-page work includes a 41-page interview with BL by Newell and photographs of BL and the setting for the interview, near BL's home on the McKenzie River in western Oregon.
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Following the publication of Home Ground, edited by BL and Debra Gwartney, BL began work with Sandra Phillips, Senior Curator of Photography at the San Francisco Museum of Modern Art, on an exhibit featuring the images of American landscape photographers. Entries from Home Ground will accompany many of the photographs. The show is scheduled to open in 2011.
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BL serves on the advisory boards of a diverse group of organizations. Among them are Theater Grottesco in Santa Fe, New Mexico; The Mountain Lion Foundation; The Orion Society; and Reader-to-Reader, which sends books, free of charge, to the nation's neediest libraries. He recently joined the advisory boards of The North American Network of Cities of Refuge and the Sacred Land Film Project.
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On January 26, 2007, BL received the Rev. Robert J. Griffin Award, presented to a Notre Dame graduate who has made a significant contribution to literature. He graduated cum laude from the University in 1966 with a degree in Communication Arts.
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BL with Desmond Tutu in Indonesia, May 2006. Wilford Welch, who invited both of them to work with him in Ubud, Bali, at Quest for Global Healing, is at center. The gathering brought together 500 people from 40 countries for presentations and workshops.

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SNAPSHOTS


Susitna River drainage, Nelchina Basin, Alaska, March 1976. Photo by Craig Lofstedt.

During his field research for Of Wolves and Men, BL spent several weeks with Bob Stephenson (walking behind BL), a wolf biologist with the Alaska Department of Fish and Game. This heavily-sedated female wolf was six or seven years old and weighed about 85 pounds. See story below.

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Reconciliation Ceremony
story continued from photo above

Left to right, Juanita Pahdopony, Comanche tribal chairman Wallace Coffey, BL, Kim Winkleman, President of Comanche Nation College, and Vice-Provost James Brink and President Jon Whitmore of Texas Tech University.
  On September 9, 2007, the President, Provost, and a Vice-Provost of Texas Tech University, together with a small group of representatives from the Texas Tech University community, including Barry Lopez and artist Richard Rowland, made a formal offer of reconciliation between the University and the Comanche Nation before representatives of the Comanche people. The unprecedented ceremony and presentation of gifts took place on ceremonial grounds at Comanche Nation tribal headquarters near Lawton, Oklahoma. It marked the official beginning of a collaborative effort between the tribe and the University to improve educational opportunities for Comanche youth and to open the entire University community to “a Comanche way of knowing.”

  Projects already underway include: 1) exchange programs for faculty and students, developed according to the provisions of a Memorandum of Understanding between Comanche Nation College and the University; 2) a long-term oral history field project, intended to establish an historical record of post-contact events seen from a Comanche point of view; 3) an ethnomusicology project designed to record, collect, and archive modern and traditional Comanche music, for deposit at both the Comanche Nation Museum and at the Southwest Collection at the University; and 4) a program that will bring tribal elders to the University in Lubbock, Texas, to begin work with students in the Honors College aimed at establishing a cultural context for each species of plant collected on traditional Comanche lands and now housed in the University’s herbarium.

Comanche Indian Veteran's Association (CIVA) Color Guard.
  The ceremony at Lawton began with a presentation of colors by Comanche military veterans—the American flag, the Comanche Nation flag, the Oklahoma State flag, and the flag of the Comanche Indian Veterans Association. BL and tribal chairman Wallace Coffey acted as co-masters of ceremony. Comanche drummers, singers, and dancers purified the ceremonial grounds prior to opening remarks from Chairman Coffey and by President Jon Whitmore and Vice-Provost Jim Brink. Following a statement about uniting in a common cause with the Comanche Nation, delivered by BL on behalf of the University, four members of the Comanche Indian Veterans Association were asked by Chairman Coffey to select an empty clay pot from a ceremonial table and to take up a position at one of the ceremonial grounds’ four cardinal points. BL asked four University representatives, each one holding a similar clay pitcher full of local groundwater, to join the veterans at the cardinal points.

Richard Rowland’s Llano Estacado pots.
  The clay vessels, designed and built by artist Richard Rowland, were created from material that lies exposed in a narrow canyon on the eastern edge of Texas’s Llano Estacado, the site of a catastrophic loss for Comanche people. Here on September 29, 1874, more than a thousand rustled Comanche horses were shot and killed by troops of the Fourth United States Cavalry. BL and Richard Rowland dug clay and gathered other materials for the vessels at the site and fired them in an anagama kiln, using wood from several places in Texas and Oklahoma. The water for the ceremony was borrowed from a part of the Ogallala aquifer that lies beneath traditional Comanche country, land on which the University now stands.

During the ceremony, Comanche horses came up from nearby pastures and stood along the fence adjacent to the ceremonial grounds.
  At a signal from Chairman Coffey, the singers and drummers began a song and those holding the pitchers began slowly pouring water into the pots. At the conclusion of the song, Chairman Coffey asked that the water now in the pots be poured out onto the Earth. The University presented some of the Comanche people with Pendleton blankets, the colors were struck, and everyone joined in a slow line dance, twice circling the drummers and singers. The ceremony closed with the Comanche setting up receiving lines, so that each person present might be able to shake hands with every other person.


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Wolf Research
story continued from photo above

  I was midway in my research for Of Wolves and Men when Bob Stephenson—walking behind us here—invited me to join him in the field, to learn about this kind of scientific research. I was initially drawn to Stephenson’s work because, in order to learn about these animals, he’d apprenticed himself to a group of Nunamiut Eskimo living at Anaktuvuk Pass in the Brooks Range. He had identified the wolf in the photo from the survey helicopter as “a female, an older one.” I kidded him at the time, saying nobody could be that discerning about a wild wolf, not from a distance. “Well,” he said, unassumingly, “it’s one of the things the Nunamiut taught me to do.” Indeed, during the week we spent radio collaring and tracking wolves in Nelchina Basin, Bob's ability to age and sex wolves like this one from a distance was unerringly correct.

  One thing the wolf in this photo taught me was what it means to be a sustaining – and sustained – member of a community. Despite her age (apparent from the condition of her teeth), she had impressive fat reserves for late winter. She might not have been physically able to help in the later stages of a successful moose or caribou hunt, but she knew where to point the other wolves in her pack in pursuit of food, into which of the many valleys in this mountainous country she should direct them.
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Updated 25 August 2010
Contents © 1966 to current, by
Barry Holstun Lopez. All Rights Reserved.

Writers on the Air Conversations About Books Donna Seaman Paul Dry Books 2005

Résistance French edition Actes Sud 2006

Light Action in the Caribbean Knopf 2000 Vintage 2001

Arctic Dreams Arabic edition National Library, United Arab Emirates 2001

About This Life Knopf 1998 Vintage 1999

Field Notes Chinese edition China One 1997

The Rediscovery of North America Vintage 1992

Of Wolves and Men Slovakian edition Abies 2002


Giving Birth to Thunder German edition Ein O. W. Barth Buch im Scherz Verlag 1982

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Contact the author

All correspondence regarding permission to reprint and other rights, or regarding public appearances, must be directed to the appropriate address or link.

Readers may direct personal letters to the following address:

Barry Lopez
PO Box 389
Blue River OR 97413